Mediajoy
Hoods, adapters, grips, caps and parts that we design and make in Kyoto for classic cameras.
A pinhole in a lens barrel, for Leica screw mount and Praktica M42. No glass, no focusing — just the oldest wa
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A rangefinder-coupled soft focus lens for Leica, in two versions: uncoated for the older look, coated for a cl
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A metal bayonet hood made for the Rolleiflex 2.8. One twist to mount, one to remove — and now in the square sh
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The same bayonet fitting as our square hood, in a round profile that follows the line of the lens.
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Metal, square, one movement to mount. Made for the Rolleiflex 3.5 type I and the Rolleicord.
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The bayonet II version of our square metal hood, for the Rolleiflex 3.5 type II.
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Original Rollei 35 hoods are hard to find and were plastic to begin with. We make ours in metal, in two filter
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The hard-to-find Rollei 35 hood, now in a square profile. One size fits both the Tessar and the Sonnar.
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A hood for the collapsible Elmar 50/3.5 that carries the aperture with it — so the setting is finally where yo
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Metal, square, one movement to mount — and at last, made for the Minolta Autocord.
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The same square metal hood, priced to suit the camera it was made for.
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For the Olympus Pen — and it fits the Trip 35 as well.
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Caps are the first thing to go missing and the hardest to replace. A metal-finished body cap for M42, sold sin
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The Olympus Pen body cap that is almost impossible to find — with the red index mark, and a back cut to fit th
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A body cap that also screws onto our Standard Grip, turning the grip into a small stand. Two jobs, one piece o
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Teak, oil-finished, cut for the hand. It also keeps your fingers out of the frame when you are working with a
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For any 35mm camera, and for the Rolleiflex too. A grip for cameras that were never given one.
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The grip Marcello carries in La Dolce Vita, rebuilt. It mounts on either side, so the camera works the way you
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Made for us by Artisan & Artist. Vegetable-tanned cowhide, black, with the mediajoy logo blind-embosse
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The fittings you need to put a strap on a Baby Rollei. Sold in pairs, in limited numbers.
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Puts a large-format lens in a No. 0 shutter onto a Pentax 67 — and with Pentax's own adapters, onto the 645 an
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Mounts the Elmar 90mm — and our own MJ Soft Focus lens — on the Zenza Bronica.
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Puts Russian Kiev 60 lenses on a Mamiya 645 body. They cost little and photograph rather well.
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For Kiev 60 lenses and East German Pentacon Six lenses on a Pentax 645 body.
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M42 lenses on an Olympus Pen F — including the Russian ones.
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Mounts an SLR — film or digital — on the back of a 4×5 or 6×9 view camera, so that movements and a century of
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Nearly square, so it does not care which way round you mount it. For 35mm, 4×5, large format and the Rolleifle
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A quick-shoe plate that screws to the camera, 50 × 34 mm, with two extra screw holes around the main one.
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Mounts Leica screw mount lenses on a Praktica M42 body. Close-up work only, but it opens a large cupboard of g
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Screws into the shutter button of a Pentax SP and similar cameras. A small thing that changes how the shutter
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Runs a Hasselblad EL or EL/M on a 006P battery. Two converters in a red case.
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Turns the rewind knob of an M1, M2 or M3 into a crank. Brass, like the body — so it ages like the body.
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Two attachments for the screw-mount Leicas: a crank that makes rewinding easy, and a wind knob you can turn wi
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The small ring that goes missing the moment you fit a cable release. Made in brass, as the original was.
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Mounts a flash — or a meter — above the viewing hood, where it throws no hard shadow and leaves the film trans
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A 47 cm rail that takes two screws into the body, so a long lens stays where you put it. 680 g.
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Replacement light-seal foam in sheets and pre-cut strips. The part of every old camera that has already perish
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Three covering materials for recovering a camera body. 27 × 22 cm, self-adhesive.
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Mercury-free 1.35 V cells for the cameras whose batteries are no longer made. No adapter needed.
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